Backline and Bergeflvster Presents:
A DOUBLE FEATURE WITH:
POISON RUIN
Building off the strengths of their critically acclaimed works, POISON RUIN return with their new album, Hymns From the Hills. The Philadelphia Punk band have developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal.
The band's vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work. On this newest offering, their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry- One populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of POISON RUIN's trademark sound and a departure from it- The crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to are buttressed by a carefully sculpted mosaic of new textures, from
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Backline and Bergeflvster Presents:
A DOUBLE FEATURE WITH:
POISON RUIN
Building off the strengths of their critically acclaimed works, POISON RUIN return with their new album, Hymns From the Hills. The Philadelphia Punk band have developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal.
The band's vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work. On this newest offering, their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry- One populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of POISON RUIN's trademark sound and a departure from it- The crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to are buttressed by a carefully sculpted mosaic of new textures, from flourishes of Killing Joke hacksaw primitivism and blast-beats worthy of the Relapse catalogue number to crisp analog synth lines and ambient serenades reminiscent of Scott Walker and The Durutti Column. Like a serpent moving ever outward with spiraling circularity, Hymns From the Hills expands POISON RUIN's sonic landscape in imaginative new directions while maintaining its center of gravity firmly in the band’s already established mythos.
Liturgy (Solo Performance)
We are excited to announce an swiss exclusive Liturgy Solo Performance by Healla Ravenna Hunt-Hendrix, the mind behind the renowned project: Liturgy
Liturgy is the project of Haela Ravenna Hunt-Hendrix, whose yearning, energetic “transcendental black metal” exists in the space between metal, art music and sacred ritual. Its current lineup includes Mario Miron (guitar), Tia Vincent-Clark (bass) and Leo Didkovsky (drums). Celebrated for their fusion of sincere emotion, compositional complexity, stylistic daring and intense live energy, the band is simultaneously a medium and platform for drama and theology. It was founded in the context of Brooklyn DIY as a solo project by Hunt-Hendrix in 2005 while she was studying philosophy and classical composition at Columbia. In 2009 Hunt-Hendrix stimulated fervent conversation in the music world with her text “Transcendental Black Metal”, and after expanding to a quartet they made waves globally with their 2011 sophomore album Aesthethica for fusing black metal with math rock and infusing the form with a counterintuitively loving, emotional energy. Their ambitious 2015 album The Ark Work was controversial for its incorporation of IDM and trap production into their musical language. In fall 2019 they solidified this sound world with their highly acclaimed fourth studio album H.A.Q.Q., which is tied to an ongoing philosophical YouTube lecture series. Their fifth studio album, an opera entitled Origin of the Alimonies, was released in November 2020, recorded with an eight-piece chamber ensemble and performed at Roadburn festival in 2021 as the live score to an eponymous film created by Hunt-Hendrix. After a solo sculpture exhibition in 2022, the album 93696 was released in 2023 followed by an extensive world tour.
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